REGIS C. BRODIE
Born-1942, Pittsburgh, Pennsylvania
Resides at
135 Cobble Hill Drive,
Gansevoort, NY 12831
                
EDUCATION

  • 1969 ~ M.F.A., Tyler School of Art of Temple University (Ceramics, Minor Sculpture)
  • 1966 ~ M.Ed., Indiana University of Pennsylvania (Painting, Minor Ceramics)
  • 1965 ~ B.S., Indiana University of Pennsylvania (Art Education)

ACADEMIC POSITIONS

  • 1969-present ~ Professor of Art, Department of Art and Art History, Skidmore College
  • 1972-2006 ~ Director of the Summer SIX Art Program, Skidmore College (35 Years)
SPECIAL AWARDS
  • New York State Art Teachers Association, "Special Citation 2005 Award",
    (Contributing significantly to the field of Art Education in New York State)
  • 2004 & 2005 Residency Program, International Symposium -Outdoor Ceramic Sculpture, World Ceramic Exposition Foundation, Yeoju, Korea
    (One of ten ceramic artists invited from 5 countrys- Japan, Korea, Spain, Wales, & America)
  • "Visiting Fellow", University of Wales Institute, Cardiff, UK, May, 2001
  • "The Ella Vandyke Tuthill Endowed Chair in Studio Art", Skidmore College
    (First recipient- 1993-1999)
  • "The Edwin M. Moseley Faculty Research Lecturer", Skidmore College - 1988
    (The highest honor the faculty as a whole can confer on one of its members)
UNIVERSITY & MUSEUM COLLECTIONS – INTERNATIONAL…
  • Raccolta Internazionale D'Arte Ceramica Contemporanea, Castelli, Italy
  • Museo Internazionale della Ceramiche, Faenza, Italy
  • Museo de Ceramica, (National Ceramics Museum of Spain), Barcelona, Spain
  • Musee National de la Ceramique, (National Ceramics Museum of France), Sevres, France
  • Potteries Museum and Art Gallery, Stoke-on-Trent, England, UK
  • National Museums & Galleries of Wales, National Museum & Gallery, Cardiff, Wales, UK
  • University of Wales Institute, Cardiff, Wales, UK
  • Regional Museum of Art, Tula, Russia
  • Embassy of the United States of America, Cairo, Egypt
  • World Ceramic Exposition Foundation, Icheon, Korea
UNIVERSITY & MUSEUM COLLECTIONS - NATIONAL…
  • Albany Institute of History & Art, Albany, NY
  • Delaware Art Museum, Wilmington, DE
  • Everson Museum of Art, Syracuse, NY
  • Hyde Collection, Glens Falls, NY
  • Indiana University of Pennsylvania, Indiana, PA
  • Long Beach Museum of Art, Long Beach, CA
  • Nelson Museum of Art, Arizona State University, Tempe, AZ
  • Roberson Center for Art & Sciences, Binghamton, NY
  • Schenectady Museum, Schenectady, NY
  • Southern Connecticut State University, New Haven, CT
  • Tang Teaching Museum and Gallery, Saratoga Springs, NY
  • Tyler School of Art, Temple University, Philadelphia, PA
  • Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT
CORPORATE & PRIVATE COLLECTIONS… 
  • Adirondack Trust Co., Saratoga Springs, NY
  • Avon Products, Inc., World Headquarters, NY, NY
  • Charles Wood Foundation Collection of Art, Glens Falls, NY
  • General Electric Company, Schenectady, NY
  • Hoffman-LaRoche Pharmaceutical, Nutley, NJ
  • Lehigh-Portland Cement Co. Allentown, PA
  • Saratoga Hospital, Saratoga, NY
  • United States Steel, ”Laurel Ridge”, Corporate Home Site, Ligonier, PA
  • Verizon Corporation, White Plains, NY
LECTURES– INTERNATIONAL
  • American College in Paris, France
  • Association Franco-Americaine de Design (Parson's School of Design) Paris, France
  • National College of Art and Design, Dublin, Republic of Ireland
  • "Accademia Di Belle Arti Della"Aquila, Aquila, Italy
  • The Instituto D'Arte Di Castelli, Castelli, Italy
  • Studio Art Centers International (SACI), Florence, Italy
  • Okayama University, Okayama, Japan
  • World Ceramic Exposition Foundation “International Symposium, Yeoju, Korea
  • Escuela de Arte Francisco Alcantara, Madrid, Spain
  • Museo de Ceramica, Barcelona, Spain, Int. Academy of Ceramics General Assembly (IAC)
  • Universitat de Barcelona, Spain
  • Universitat de Madrid, Madrid, Spain
  • Konstfackskolan -State School of Art & Design, Stockholm, Sweden
  • Camberwell College of Art and Design, London, England, UK
  • Central School of Art and Design, London, England, UK
  • Glasgow School of Art, Glasgow, Scotland, UK
  • School of Art and Design, Staffordshire University, Stoke- on- Trent, England, UK
  • University of Wales Institute, Cyncoed Campus, Cardiff, UK
  • University of Wales Institute, School of Art, Howard Gardens, Cardiff. UK
LECTURES– NATIONAL
  • American Craft Museum, New York, NY
  • Arizona State University, Tempe, AZ
  • Art Institute of Chicago, Chicago, IL
  • Boston University, Boston, MA, NCECA conference
  • California College of Arts and Crafts, Oakland, CA
  • Carnegie-Mellon University, College of Fine Arts, Pittsburgh, PA
  • Chatham College, Art Department, Pittsburgh, PA
  • Cleveland Institute of Art, Cleveland, OH
  • Colgate University, Hamilton, NY
  • College of New Rochelle, New Rochelle, NY
  • Everson Museum of Art, Syracuse, New York
  • George Mason University, Fairfax, Virginia
  • Georgia State University, Atlanta, GA, panelist, NCECA conference
  • Hartwick College, Oneonta, NY
  • Honolulu Academy of Arts and The Pot Factory Hilo, HI
  • Hui No'Eau, Visual Arts Center, Maui, HI
  • Long Beach Museum of Art, Long Beach, CA
  • Louisiana State University, Baton Rouge, Louisiana, NCECA Conference
  • New York University, NY, NY, "The Case for Clay in Secondary Art Education", paper presented
  • Manchester Craft’s Guild, Pittsburgh, PA
  • Millersville State College, Millersville, PA
  • Massachusetts College of Art (of the University of Massachusetts), Boston, MA
  • Manatee Community College, Bradenton, Florida, '84, '89, '97, ’02, & ‘04
  • Wesleyan University, Middleton, CT
  • Wesleyan Potters, Inc., Middleton, CT
  • Princeton University, Princeton, NJ
  • Penland School of Crafts, Penland, NC
  • Santa Fe Clay Studio, Santa Fe, NM
  • Smithsonian Institution, Washington, D.C.
  • Southern Illinois University, Carbondale, IL
  • SUNY Albany, Albany, NY
  • SUNY, Oswego, Oswego, NY
  • Syracuse University, Syracuse, NY
  • Tyler School of Art of Temple University, Philadelphia, PA
  • University of Hawaii, Honolulu, HI
  • University of Arizona, Tucson, AZ
  • University of Central Florida, Orlando, FL
  • University of Colorado, Boulder, CO
  • University of Dallas, Irving, TX
  • University of Houston, Houston, TX
  • Washington University School of Fine Arts, St. Louis, MI

EXHIBITIONS JURIED & INVITATIONAL
  • Manchester Craftsmen's Guild, Pittsburgh, PA, 2008 (Invitational Exhibition)
  • James Gallery, Pittsburgh, PA, 2008 (Two person Exhibition)
  • Retrospective Exhibition - "A Vision Defined" Schick Art Gallery, Skidmore College, 2007
  • SOFA New York, The International Exposition of Sculpture Objects & Functional Art, New York, NY, 2007
  • "Earth & fire, A Celebration of CLay & Ceramics, Albany Institute of History & Art, NY 2007
  • "Upstate Visions", 4-Person Show, Loveed Fine Arts, Madison Avenue, NY, 2006
  • Symmetry Gallery, One-Person Show, Saratoga Springs, NY, 1995, 1997,1999, 2001, 2003 & 2005
  • “Third International Biennale- 2005”, World Ceramic Exposition Foundation, Icheon, Korea
  • SOFA New York, 2003, 2004 The International Exposition of Sculpture Objects & Functional Art, NY
  •  “Vessel Invitational 2002: Contemporary Clay”, Roberts Wesleyan College, Rochester, NY
  • “A Gathering of Peers” Invitational Exhibition, The Clay Studio, Philadelphia, PA, 2002
  • “Earth, Fire, and Fiber”, Invitational Exhibition, Kirkland Art Center, Clinton, New York, 2002
  • Invitational Porcelain Exhibition, in conjunction with "20th Century Porcelain from Sevres", American Craft Museum, New York, New York, 2001
  • "American Masters-Artists from Sante Fe Clay Workshop Program, 1994-1999”, Sante Fe, New Mexico      SOFA
  • Chicago, 2000, The International Exposition of Sculpture Objects & Functional Art, Illinois
  • The Hyde Collection, One-Person Show, The Rotunda Gallery, Glens Falls, New York, 1998
  • Everson Museum of Art, Robineau Gallery, Two-Person Show, Syracuse, New York, 1976
  • Allentown Art Museum, Allentown, Pennsylvania, One Person Show, 1976

GALLERY AFFILIATION
  • Loveed Fine Arts, 575 Madison Ave. Suite 1006, New York, New York 10022
  • Symmetry Gallery, 348 Broadway, Saratoga Springs, New York 12866
  • James Gallery, 413 South Main Street, Pittsburgh, PA 15220
  • L’attitude, 218 Newbury Street, Boston Massachusetts


PUBLICATION – AUTHOR
  • "The Energy-Efficient Potter" by Regis C. Brodie, Book, Watson-Guptill Publications, May 1982.
  • The Studio Potter, June 1997, Article, "Re-firing a Second Chance”, by R. Brodie, Vol. 25, #2
  • Ceramics Monthly, May 1994, Article, "The Creative Process" by Regis Brodie, pp. 5, 31-33.
  • Ceramic Scope, 1993, Volume 30, # 1, Article, "Kilns: The Potter's Fire", by Regis C. Brodie, pp. 12-18
  • The Studio Potter, June 1988, pp. 55-56, Article, "Close Encounters with the Third Dimension: Making
          College Resources Available."
  • The Studio Potter, December 1986, pp. 39-40 & 48 Article "Multi-Firing: Another Way."
  • NCECA Journal, 1984, Volume 5, Article, "Efficiency in Kiln Building and Firing",
           By Regis C. Brodie, pp. 59-61 (National Council on Education for the Ceramic Arts)
  • The Studio Potter, June 1984, Article, "Ceramic Fiber 1984, " by Regis C. Brodie, pp. 33-41.
  • Ceramics Monthly, March1984, Article, "Fiber Insulating a Salt Kiln" by R. Brodie, pp. 67-71.
  • Ceramics Monthly, September 1983, Article, "Ceramic Fiber 1984," by R. Brodie, pp. 38-40.
CONTRIBUTING AUTHOR
  • Studio Practices, Techniques and Tips” Edited by Anderson Turner, A Collection of Articles from  Ceramics Monthly, Updated Article on Insulating Existing Kilns, by Regis C. Brodie, pp. 101-103,   Published by The American Ceramic Society, Westerville, Ohio, 2003
  • "Ceramics, Mastering the Craft”, by Richard Zakin. A section on multi-firing with step-by-step photos and text, pp. 238-241.  Chitton Book Co, Radnor, PA ,1990.
WORK INCLUDED IN BOOKS OR PERIODICALS
  • Revista Ceramica (National Ceramics Magazine Of Spain), Issue  No. 86, 2003,”Regis Brodie- A Vision         Defined”, by Roberta Griffith, Madrid, Spain, pp 78- 81, (six color & 7 black & white images)
  • "Working With Clay" 2nd ed., by Susan Peterson, Prentice Hall, , London, UK, 2002 p.127
  • "Make it in Clay: A Beginner's Guide to Ceramics," 2nd Edition by Charlotte F. Speight  &      John Toki, Mayfield Publishing Company, 2001, pp. 129 & 143, color plate p. 27.
  • "Ceramics: Mastering the Craft," 2nd edition, Krause Publications, Iola, WI, by R Zakin, 2001, pp. 107 & 159
  • "The Contemporary Potter," Rockport Publishers, Gloucester, MA, Fall 2000, pp 130 & 146,
  • "Working With Clay," by Susan Peterson, Prentice Hall, Upper Saddle River, NJ, 1999 p. 103.
  • "The Best of Pottery 2,"selected by Angela Fina & Chris Gustin, Quarry Books, MA, 1998 p. 70, and cover
  • "Make it in Clay: A Beginner's Guide to Ceramics," by Charlotte F. Speight & John Toki, Mayfield       Publishing Company, 1997, pp. 111 & 123, color plate p. 24.
  • "The Best of Pottery," selected by J. Fairbanks and Angela Fina, Quarry Books, Rockport, MA, 1996, p. 81.
  • "The Electric Kiln Ceramics," 2nd ed., by Richard Zakin, Chilton Book Co., Randor, PA, 1994, pp.195  & 213.
  • "The Craft and Art of Clay," by Susan Peterson, Prentice Hall, Englewood Cliffs, NJ, 1991, pp. 59, 330, & 361.
  • "Ceramics, Mastering the Craft," by Richard Zakin.  Chilton Book Co. Radnor, PA, 1990, p. 240.
  • American Ceramics: The Collection of the Everson Museum of Art," edited by Barbara Perry,        Rizzoli International Publications, Inc., New York, NY, 1989, pp. 216-217.
  • Revista Ceramica, Issue No. 28, Page 63, and Revista Ceramica, Issue No. 21, Page 52
  • Revista Ceramica, Issue No. 16, 1983, "Regis Brodie," by Barry Targon, pp. 40-47 (18 photographs).
  • The Studio Potter, Volume 12, #1, Dec.1983, "Hudson Valley Potters," article & photos, pp. 2-4.
  • Funk and Wagnalls Encyclopedia, 1976 through 1982 editions, (Image Illustrating Contemporary Porcelain)
  • "Porcelain: Traditions and New Visions," J. Axel & K. McCready, P. 91. Watson-Guptill Publications, 1981.
  • "Salt-Glazed Ceramics," Jack Troy, Watson-Guptill Publications, 1977, New York, New York
  • "Getting Into Pots," George and Nancy Wettlaufer, Prentice Hall, Inc., 1976, pp. 86,137 & 159.
  • "Clay Work, Form and Idea in Ceramic Design," Leon Nigrosh, David Publications, Inc., 1975.